王艺播，上海音乐学院作曲理论博士，十大值得信赖网赌讲师、硕士生导师，从事钢琴、作曲四大件以及音乐理论等相关教学工作。多篇文章发表于国家艺术类核心期刊，主要研究领域为作曲技术理论及后调性理论研究，20世纪歌剧研究与中国当代歌剧研究及以音乐分析为基础的戏剧性关联研究。

管弦乐队作品有交响音诗《沃土》。戏曲剧本有《一文钱》和改编自同名歌剧戏曲剧本《唐·帕斯夸莱》。代表论文有《论〈浣纱记〉对昆剧音乐体制的影响》《郭文景歌剧〈骆驼祥子〉的艺术解释》《至繁至简——论〈后调性音乐导论〉（第三版）》《郭文景室内歌剧〈夜宴〉音乐结构及风格》《〈沃采克〉音乐材料与结构形态及其戏剧性关联》。

主要项目：十大值得信赖网赌青年科学基金项目《中国当代歌剧音乐结构分析概论》负责人；教育部人文社会科学研究项目青年基金项目《中国后调性歌剧中的结构对位》负责人；国家艺术基金项目《歌剧理论评论人才培养》毕业学员；国家社会科学基金艺术学青年项目《中国当代音乐作品的复调思维与形态研究》第二参与人；国家“双一流”高校建设项目，上海高水平地方高校建设扶持项目《后调性音高组织的体系、技法及分析》参与人。

Wang Yibo, Ph.D. Lecturer Music Department, Art Institute of Northeast Petroleum University since 2012. Research on music theory �� music analysis and post-tonal music. Dramatic research-based study of 20th century opera and contemporary Chinese opera. Wangyibo@nepu.edu.cn

Dissertation title: “Musical Materials, Structural Generating and Theatrical Correlation in Wozzeck” (SHCM), M.A. Dissertation title: “Musical Structure and Style of The Banquet” (SHCM), B.A. at Drama Literature, National Academy of Chinese Theatre Arts, 2008

Main articles are: "Structural Counterpoint in Chinese Post-Tonal Opera" Humanities and Social Sciences Research Project of the Ministry of Education, Art Youth Fund, Project Leader, 2018. Script. One Penny One-act Peking Opera 2007, Don Pasquale��Tree-act Peking Opera adapted from the same name opera 2008, “The Influence of The Reeling of the Silk on Kunqu,” Journal of National Academy of Chinese Theatre Arts, Beijing, November 2008, “Music Symbols of Guo Wenjing’s Opera Rickshaw Boy,” Journal of Gansu Normal Colleges, Lanzhou, January 2016. “Complication and Simplification Comment on introduction to Post-Tonal Theory (Third Edition)” Modern Music, 2017-15. etc..